Paul Beakley I quite like them — at least the first couple. But I like them because they were (or seemed to me) to be pointing out the disconnection as a flaw. Like, Aaron Griffin’s comment about the farm is on point — it’s the place with kids, outside of the city, and the place where one of the few human connections in the movie happen.

Of course, that’s also country/city distopian bullshit, but I’ll forgive the movie for recreating that bit of bullshit.

Also, on a note for Aaron, and others — I don’t have kids. Many of the folks I play with don’t have kids. And yet, kids end up in our worlds a lot of the time. Not always successfully or evenly, but kids is kids.